Season 3 Episode 13 | Max Richter has to fall in love with a project

Robert and Kenny begin the show answering questions from Score: The Mailbox about why album versions of scores sometimes differ from the film version, the use of diegetic music in film and if there is a common starting point for writing a score.

Then, Emmy-nominated composer Max Richter joins to discuss his brilliant artist career, including his new album ‘Voices,’ why director Ari Folman called out of the blue demanding he score Waltz with Bashir, his use of laments in Taboo, why he write "Sleep" even though he can't sleep with music playing, and the reason he took real space travel data and converted it into music for Ad Astra.

This episode is presented by Spitfire Audio

Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com

Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto

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Review on iTunes (Windows or MacOS X)

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3. Select Score: The Podcast, and then tap the Reviews tab. Tap Write a Review at the bottom.

4. Before pressing Send, take a screenshot of your review (on Windows, press Windows+PrtScrn or use the Snipping Tool; on Mac, Shift+⌘+4). This is your proof of entry to win an autographed copy of SCORE: A FILM MUSIC DOCUMENTARY. (Be sure you remember to hit Send after!)

(Optional) 5. Tweet us your screenshot @ScorethePodcast. This way we’ll be able to contact you through Twitter, as iTunes does not allow us to contact you. Pat yourself on the back for helping launch this podcast! Bravo, maestro!

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